AMP connects artists and behind-the-scenes collaborators of all genres, including musicians, painters, performance artists, writers, dancers, and many more, with resources, opportunities, and personal connections. Many AMPers also provide free temporary lodging for other members. With thousands of members in 86 countries, AMP enthusiastically and energetically builds bridges between artists, audiences, and producers through our website, as well as at AMP-hosted parties and multimedia events worldwide. AMP is free to join. The only 'cost' is your energy and enthusiasm in building a global artistic community and helping fellow artists.
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Berlin Biennale: Open Call

Berlin Biennale
– Open Call –

KW Institute for Contemporary Art
Auguststr. 69
10117 Berlin/Germany
call@berlinbiennale.de
F +49. 30. 24 34 59 88

www.berlinbiennale.de

Within the framework of the 7th Berlin Biennale for Contemporary Art in 2012, curated by Artur Żmijewski, artists from all over the world are requested to send in their artist material for a research investigation, following the conditions below.

We accept artistic material in hard copy formats not bigger than A3 (297 x 420 mm or 11.69 x 16.54 in.), printed images, digital data, as well as DVDs.
PDFs in A4 (297 mm x 210 mm or 11.7 x 8.3 inches) or fax will also be accepted.
Please do not send any original artworks.

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"SUPER CLUSTER"

"Earth" artwork by Alexis Duque

Date: November 27 – January 15, 2011

Artists:

Firelei Baez -Darlene Charneco- Priscila De Carvalho - Alexis Duque - Magdalena Murua - Martín Perez Agrippino.
Project Room: Maneem (Dream) by Teresa Diehl

Opening reception November 27th, 7-10pm

This collective brings together a multitude of imaginary landscapes with haunted scenes, massive architectural structures invaded by wicked nature, visions of overcrowded or devastated cities, brick walls in desolated areas, and artificially created parks and communities. Combined they depict personal interpretations of a sprawling world and
evidence of the need for a space for reflection amidst the bewilderment generated by our surroundings.

Praxis International Art
2nd Avenue, Miami FI 33127
Wynwood Art District 2219 NW

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"Earth" artwork by Alexis Duque

"Earth" artwork by Alexis Duque
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Colored people at www.joepegmond.com

Colored people at www.joepegmond.com

For everybody who likes people

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RFQ (request for qualifications) for Event Production - Santa Monica Festival

The City of Santa Monica is distributing an RFQ for Event Production of the Santa Monica Festival for the years 2011, 2012 and 2013 (please see attached). Proposals are due Wednesday, December 8 by 5pm. The winning bidder will start work on the festival in mid-December. Please contact Allison Ostrovsky with questions at 310-458-8350 or at allison.ostrovsky@smgov.net from LA Culture Net
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EASTSIDE LOS ANGELES ACCESS PROJECT CALL for PUBLIC ARTIST TEAM MEMBER

Cityworks Design is seeking up to four artists who have a history working on the Eastside to join their Preliminary Design Team on the Eastside Access Project, a Measure R funded project intended to use urban design to enhance the streetscape and improve linkages for four Metro Gold Line Stations and their surrounding neighborhoods.

The selected artist(s) will use their expertise and knowledge of the local community to identify public art opportunities while adding their artistic influence to the conceptual design of elements in the public right of way. These ideas should be reflective of the local community, buildable and easy to maintain.

Background

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ACTING TOGETHER ON THE WORLD STAGE: A CONFERENCE ON THEATRE AND PEACE BUILDING IN CONFLICT ZONES - LA MAMA - SEPT 23-26

REPRINTED FROM TCG CIRCLE
http://www.tcgcircle.org/2010/10/acting-together-on-the-world-stage-the-...

Acting Together On The World Stage, The Round Up
by AUGUST SCHULENBURG
in GOING GLOBAL

Here at the TCG Circle, we’ve been going global through our recent interview series with the international theatre artists who participated in Theatre Without Borders recent conference, Acting Together On The World Stage.

Now for the big picture: Marcy Arlin of Immigrants Theatre Project rounds up the exciting events of the Conference itself!

Round up, Theatre & Peacebuilding, by Marcy Arlin

In places and times of great suffering, there are still reasons to celebrate.
– Ali Mahdi, Albugaa Theatre, Sudan

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Raritan Valley College call for video work, deadline Dec. 3 (New Jersey, USA)

THE VIDEO SHOW - Call for entries. All original video work accepted. Single
channel and Video Installation. Shorts, experimental, poetic, narrative,
abstract, documentary, music, and video incorporated into installation or
sculptural pieces.

Deadline for submissions December 3, 2010. For more info and prospectus go
to:

http://www2.raritanval.edu/departments/vapa/videoshow.html

Or email us at:

videoshow@raritanval.edu

Exhibition at Raritan Valley College, North Branch, NJ, opens February 18,
2011.

from Franklin Furnace

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New York University seeks film/media faculty, Abu Dhabi

Film Production

We invite applications for faculty positions in Film/Media production at all
levels (assistant, associate, or full professor). We are looking for a
filmmaker who maintains a distinguished record of professional achievement
together with a demonstrated commitment to undergraduate teaching. The
successful candidate will have the opportunity to play an integral role in
fashioning a complete international research university oriented around the
liberal arts. We encourage applicants in the field of film/media production,
including directing, producing, editing, animation, experimental film,
narrative, and documentary. Ideal candidates have projects/interest in the
Middle East and Gulf Region.

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Moving Image Review and Art Journal seeks contributions

The Moving Image Review & Art Journal (MIRAJ) is the first peer-reviewed
publication devoted to artists' film and video, and its contexts. It is
published twice a year in print by Intellect Books in collaboration with the
CCW Graduate School, University of the Arts London. MIRAJ offers a widely
distributed international forum for debates surrounding all forms of
artists' moving image and media artworks.

The editors invite contributions from art historians and critics, film and
media scholars, curators, and, not least, practitioners. We seek pieces that
offer theories of the present moment but also writings that propose
historical re-readings. We welcome essays that:
. re-view canonical works and texts, or identify ruptures in the standard

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